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Miro Arnesano Flickr

flickr.com / photos / miroarnesano

Woman in the shower, oil on canvas 2001

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FotoFranco: Caput Mundi Caput Mundi

FotoFranco: Caput Mundi, climbing "Standing on top of the Caput Mundi, what There can be more exciting to do when you arrive in Rome? None. The climb, however, the ve you ... "

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climbing, abseiling

Stay on top of the Caput Mundi, what could be more exciting to do when you arrive in Rome? None.

The climb, however, you will earn you the: 7 € for more than 300 steps, 5 € if you decide to do it all on foot after more than 550 steps.
Guess ...

After the first 300 steps you get to see something that the road is still long!

Sometimes a little 'claustrophobic ...

Sometimes very claustrophobic ... (No, not the effect of a fisheye ... the curvature of the dome to distort the walls)

Shortly before the summit in sight a little something ... a glimmer of light.

And the reward at the end .... indescribably beautiful! O
the stairs, or the view, you will no doubt breathless!

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Happy Christmas to all! By Sigismondo

Van Honthorst, said Gherardo delle Notti (1590-1656), Adoration of the Child (1620) - Galleria degli Uffizi, Florence

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Published in The New Country December 22, 2010

Behind the Christmas Sant'Oronzo Square, once known as "Piazza dei Mercanton" and a portrait painter in a romantic engraving of the second decade of pre-unification is located on the square Castromediano Sigismund.

Before arriving at the square, admiring the elegant Palazzo Carafa Rubichi away. Dell'cinquecentesco built on the monastery and church of the Vincentians at the behest of the bishop Sozy-Carafa, the building was completed between 1764 and 1771 by master builder and architect Emanuele Manieri Oronzo Carrozzo according to the refined language style of the period, the main facade is characterized by fine portal-central balcony designed by Lecce Ghezzi.

We come Continuing beyond the ambiguous, urban talking Castromediano square, flanked instill a few meters from the Church of Jesus built this around 1575 to house the company of many clerics established in the thirties of the sixteenth century by Ignatius of Loyola . The prospect of the Church Lecce plain and simple, takes over the "dictates" of the Roman Church of Jesus architectural engineering design reworked by Michelangelo before and then by Vignola and completed under the direction of Giacomo della Porta, the monumental building is considered the "Mother" of all the churches of the order.

the center of the square on a high pillar stands a bronze statue of the patriot cavallinese Sigismondo Castromediano who, before being accused of plotting against the Bourbon government, adhered to the ideals of Young Italy of Giuseppe Mazzini . From the high position he silently watches valuable archaeological evidence. A few years ago during the road reconstruction works on the paving of the square, have resurfaced important archaeological excavations, the whole process of recovery and valorization of the ancient ruins, led by Professor Francesco D'Andria by the team and the University Salento, was designed to re-evaluate the three archaeological phases characterized by the presence of olive oil tanks.

The excavations have brought to light, "tracks" stratigraphic due to different historical periods from the Iron Age (first century BC) to 'Age messapica (IV-V century BC) until the nineteenth century, these findings demonstrate the importance of Salento from the I century BC in the production and export of oil in the Mediterranean basin.

The best example is the archaic lacus olearius dating from Roman times to the first century BC and belonging to a set of "trappeto" after the site find a deposit dating back to olive oil Aragonese (XVI century) and finally a final deposit of the XVII. Through the placement of special "windows-observatory" can "peek at this historic tombs, however, despite enormous windows have natural ventilation, condensation and often a reflection of the lights do not allow the curious observer a clear view of the environments groundwater.

Giuseppe Arnesano

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TeleFUNK'n I have their album "TeleFUNK'n Natal" at Stazione Birra ROMA

December 22, 2009 21:30 h

for more information: http://www.myspace.com/telefunknn

Facebook page on all the details about the concert

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Rome

photo returned from three days in the capital, now is the time to develop, equip and treat 737 pictures.
A little preview: the view of St. Peter's Square, Vatican. The original file has a resolution of 15.000 x 4147 pixels for a total just over 60 megapixels.

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Achille Perilli "SPACE AND SIGN AN" OPENING on December 23 at 19:00

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for more information: www.beniculturali.it

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: staff Photo of Eva De Guz Opening December 24 at 18:30 at the Palatine Chapel of the Palazzo Ducale in San Cesario

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Published in The New Country September 7, 2010

pnculture.blogspot.com

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In Lupiae pagan

Published in The New Country 12 December 2010

Lecce / Port San Biagio and the Roman Theatre

Flickr by Charles Trqmgd

In this second Sunday in town along Viale Francesco Lo Re, where, at the Piazza of Italy addorme with the monument dedicated to soldiers fallen in war. It faces south gate Porta San Biagio last of the ancient city walls. Porta San Biagio was built around the first half of the sixteenth century as it was part of the reorganization program of the defensive structures, but after the demolition of the building Originally, the great arch was rebuilt in 1774 at the behest of the then governor of Terra d'Otranto Thomas Ruff.

Building "defensive", nestled between the historic residential buildings, greets us with a single, monumental arch (archway) flanked by two pairs of stout Doric columns set on massive plinths; the "Greek" entablature, the horizontal architectural element supported by columns and pillars, is classified according to the Doric style and features along the scanning of the classical frieze and metopes triglyphs, the entablature, surmounted by a carved pediment and decorated, culminating with the statue of the patron saint.

Beyond the door is prolonged because of Perroni which resides on the volume since 1667 the church of San Matteo, characterized by a smooth convex bottom side and a concave top, continuing we hardly ever noisy, at least for the night life, by Ferdinand I of Aragon (commonly known as "the way of pubs") which overlooks the elegant and architecturally unfinished church of Santa Chiara. Taking the road that runs along the right side of the church, or because of Ammirati, we meet a few yards, the nice Piazzetta Raimondello Orsini the center of which rests the minute sculptural monument to the most popular leader "of the thirteen of Barletta" that Fanfulla of Lodi. The bronze hooded man of arms shows us the path that leads the fashion show Teatro Romano.

The scenic location of the performance of tragedies and comedies in Lupiae Roman, was probably built in the first century BC, the complex was "carved" into the living mass of limestone and it is derived from the system with steps of the auditorium (area for the public). The stone structure, built with the measure useful in containing the costs of materials, was accidentally discovered in 1929 during some works from the sixteenth-century Roman palace and the palace D'Arpe. The theater could hold at least six thousand people, the auditorium measuring over 75 meters, currently keep only 12 rows of steps, the 'orchestra namely the part devoted to dance in front of the scene is completely preserved and is over 13 meters ; the scene is lost because of the adjacent convent of Santa Chiara. Part of the rich marble decorations that adorned the theater scene has been preserved in the halls of Museo Sigismondo Castromediano.

seventeenth-century buildings, which serve as the architectural setting of the auditorium at the back post, currently home to the headquarters of the Museum of the Roman theater. On this sacred place to pay off the tall bell towers of the cathedral, an image that could delay such an archaic anxiety of control and injury by the most powerful state religion against the secular culture.

Giuseppe Arnesano

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Sushi ... greek

Published in The New Country December 5th, 2010

Overview of the Greek Church

P otrebbe be cold, and indeed should ... remain in Lecce, for our usual "trip" on Sunday ... Entry into the historic center of Lecce is "triumphant" because we are dealing with this monumental "Triumphal Arch" erected in honor of Emperor Charles V, facing the Obelisk Bourbon gazing it raised the twenties century. The old Porta San Giusto, now known Porta Napoli as it is built on the site of the town such entry. The main front door of Naples is oriented north-west, ie along the road leading to the city on the Gulf. The imposing building, built in 1548 by architect Giangicacomo dell'Acaya, is located in an area isolated from the center, about twenty feet high, the great access consists of a pair of strong columns ending with composite capitals supporting a triangular pediment and effigiante the arms of the Austro-English biceps supported by the eagle.

giant arch can be seen from the straight road axis of Via Principe di Savoia, continuing, we note the simple neo-classical facade of the Teatro Paisiello and a few meters later we overlook George Square Bavigli place on which is theatrically conceived pyramidal Church of Alcantarine.

arrived at the junction with Via Umberto I, which leads to the spectacular Basilica of Santa Croce, we try to avoid calling the eccentric festive "mood baroque" and imprisoned in molded shapes and volumes, and bystanders before reaching telanomi personalities and other saints.

treasured among the buildings of straw yellow color, the church of San Nicolo dei Greci better known as the Greek Church dominates lonely little square. The building was built from scratch with simple architectural lines in 1765 by a multi-project architects Francesco Lecce Palma, Marsione Lazzaro, Vincenzo Lombardo and Carrozzo. The essential facade is divided into two orders un'aggettante string course cornice and four Doric pilasters that articulate vertically prospectus. The interior has a rectangular nave has a vaulted roof, the iconostasis, which the partition of wood (or brick) is decorated with precious icons, split and divide the space dedicated to the faithful from the presbytery (space reserved for the clergy) .

The valuable architectural element is characterized by three doors, one central and two side in the middle depicts the image of the "Noli me tangere" while the side flaps keep the Archangels Michael and Gabriel. The four sections of the sacred walls are decorated with eight columns supporting four semi boards with gold background in which there are icons Virgin and Child of Christ the High Priest , of San Giovanni Battista and St. Nicholas of Myra . The end of the iconostasis is accompanied by a composite theory of polychromatic stories of Christ's life and portraits of the Apostles, on top of it the minute triptych of Deesis (ie, the archetypal image of the Blessing Christ flanked by the Virgin Mary and St. John the Baptist ) closes the record Orthodox iconography; behind the iconostasis is the altar. present in the building meets the community of greek-Byzantine rite.

A few steps away from this little jewel in the heart of the historic liturgy is the ShuiBar the well-known haunt of the night life of Lecce, a place with a cozy atmosphere where you can assemble and enjoy the taste of the delicious traditional cuisine and tasty dishes of Salento East of sushi. Tonight the usual Sunday gathering with jam sessions and great jazz.

Giuseppe Arnesano

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Flashback

Published on CoolClub

(December-January 2010)

www.coolclub.it

The salt of the host Lecce 37Art Gallery until next December 5 personal exposure by Sergio Lombardino entitled " Flashback". Warhol stated: " Pop Art is a way of loving things." The works are characterized by the Roman style elements that embrace the mythical American Pop Art " not so much with regard to its peculiar painting technique, steeped in heritage related to the art of antique restoration learned from the great skill and craft of the father, but as for the eclectic and lively reworking of the great themes of contemporary: technology, the machine, the goods, photography, comics and the urban landscape. Through a vibrant and detailed design, Lombardino offers the user a personal view of his understanding of the art "so dear to popular mass culture", clearly displays both in the snapshot view of an eccentric, rainy Sqauere Times, is in detention Heron picture of a massive locomotive of other times. His works can be understood, in my view, charming as "fragments of life" and backed up in detail, captivating views accentuate those autobiographical experiences in his glazes noir Rome, despite the drafting of that monochrome gray smoke that dirty "the painted surface, the image takes on a sentimental effect of an old-fashioned film, at times nostalgic and at the same time iconographically date, he shall draw up the color until it" age "articulating the compositional structure of the subject through a series several modulations. During the creative process, the artist uses oil that is enamel, used most often through the technique of Action Painting, along with the mix of special effects on the background of the painting made with the use of old newspapers, and the dripping, being the "drip", marking the conclusion of the "process" artistic Lombarino. Warhol in the aphorism can read the meaning of the artist's Capitoline, catalyzed action in the wake of "significant" or the "form", be it a Fiat 500, Topolino, or Che Guevara, which refers to an intimate content / emotion that each of us has lived and poured into it. The seductive "things" represented by Lombardino are wonderful images of content because, despite being created by love and passion of the artist, have the power to express a common sentiment shared and understood by society.

Giuseppe Arnesano