6v 4a Lead Acit Battery Charger Circuit

the time for a small camera out there but the rain no spring? Why not try the same?
With the bad weather may be occasions, however, unusual and the whole environment will look different from what you see in most pictures.

Ugento (LE)

Kalabis Damian 3km Hindernis

OF THE REGGAE MILITANT RockMan

www.coolclub.it

From January 22 to 29 last was held in Bari II edition of Bif & st, Bari International Film & TV Festival this year chaired by Ettore Scola and directed by Felice Laudadio. In the documentary section was screened out of competition documentary film "RockMan"

"This is the story of a struggle without borders, a rebellious generation, a sound that explodes and involves a vibration that set on fire the hearts and dig deep in the corridors of the psyche, through the maze of the mind, "it said so in the form of presentation of the documentary film Rockman, which premiered a few days ago at the International Film & Bari TV Festival. The film is produced by David Barletti (Fluid productions) and Thomas Manfredi (Rhythm radical), funded by Apulia Film Commission and directed by Mattia Epifani director and writer of Lecce. Through timely interviews with the protagonists of the Apulian reggae of the early 90s, backed up by a nostalgic audiovisual archive, the film reconstructs the many valuable pieces of that mosaic that has the highest expression of the legendary figure of Piero Longo, ie Militant P founder of the "world" Sud Sound System and among the leaders of the birth of reggae in Italy. On the occasion of We interviewed the director.

How did the idea of \u200b\u200bthe project?

The idea of \u200b\u200bmaking the film was created by Thomas Manfredi and his book: From the Caribbean to Salento, in Puglia on the origins of reggae. When I was a director and writer, I structured the film you are writing and editing with Mattia Soranzo. For me the film is about one of the last chapters of an era of struggle, the end of a certain enthusiasm and the generation that gave birth to last political antagonism using an artistic language. In this case the music: reggae and rap, through the figure of Militant P take on historical significance of greater thickness.

Why the "subject" is centered on the figure of Militant P?
Because his personal story is the profile of an entire era, not only for the musical influence on his generation, but because his story recounts the passage between the end of a certain mentality antagonist, which previously existed and now is to be banned and that today, the ideological level, monotonous. His story is one of those who live in between two opposite worlds, both foreign and feeling, despite everything, continues in its own way, to resist and end up being in creased. You can not separate the artist from man, nor by its history, in part because it is just his story to make it captive: his story may reflect that of an entire generation of an era and even today many experience a feeling of frustration towards society and the possibilities for individual and collective freedoms inside.

Originally Sud Sound System propaganda "culture, love and rooting," according to you what remains today of that message and genuine rebel?
certainly in their own way still pursuing this goal, were able to promote their well ideas and have played an important role to raise awareness of certain issues, giving many to believe in something. Not only of their kind, but in many other forms of artistic expression today has lost enthusiasm, some fresh creative, instinctive. There are a few good ideas and a little courage to express them, are more satisfied with the public, making it complicit in a system of approval and cultural leveling that should be the enemy of every artist and every subculture.

Despite the political developments in natural / cultural, there is currently a band or Puglia Salento that can collect and ignite ideology dialect of the late seventies?
Definitely yes, although I think that rather than in music or art in general, which has become very individualistic nature of things even in the content, today there are other trends that carry the idea of \u200b\u200bstruggle in the sense of collective movement, they are in roads and in areas where it expresses the antagonism and disagreement with the physical confrontation, but that's another story.

you think the charismatic figure of Militant P. was forcibly forgotten?
No, I do not think, simply because, as Treble, the public has not had the opportunity to truly know and fully Piero artistically, since it came out from the scene before this happen and, for reasons of force majeure, absolutely not caused by the will of anyone.

Has anyone been able to take advantage of this exclusion?
No, but generally his efforts laid the foundations because they develop an interest in the genre and not only in Puglia. This film shows how so many of her friends and artists of his generation, recognize his pioneering role and the respect for his significant contribution, even fundamental. "

Giuseppe Arnesano

Color Of Peritoneal Cancer

The Dovecote Tower

Some places attract our attention so inexplicable.

If we yield to the temptation to get close and watch them closely we might find that holds more than you see at a quick glance.

(Dovecote Tower in the countryside of Salento)

Hair Extensions Cost Jc Penney

The doors to the rest of the field in time

Published in The New Country on 23 genneio 2011

http://pnculture.blogspot.com

places of Salento / Ugento

This Sunday, the window of a camera to the South ", which overlooks the picturesque main square in the center of S. Vincent, dominated by neo-classical eighteenth-century cathedral, are trying to unravel fascinating glimpses of an urban village located deep in the southern territory of the Province. A few kilometers from the Ionian coast and prominent on that extension area which includes the villages of Gemini, Torre San Giovanni and the Torre Marine wander cut off and Lido Marini nell'ondulato educational and historical-cultural City of Ugento.Ignota is from dell'Ercole bearded portrayed as a symbol of the city hall and in the banner for this reason, the hypotheses on the origin of the ancient foundation of the local historians are always uncertain and contradictory. Heavy and monolithic are the tracks that serve to place in the historical evolution of Ugento time, and Thus we learn that, near a path amidst the neat vineyards near the road to Tauranga, the rest consisting of well-squared walls messapica probably built in the mid-fourth century BC to about 145 hectares. Survived the hostilities between the Romans and Carthaginians in 82 BC, the city of Ugento was elevated to the Roman town and grew from that time onwards, along the limes territorial small "urban" as Paternò, Gemini (Gemini ), and Varano Pompignano . The dramatic barbarian invasions started during the first decade of the fourth century AD left the place to a most prosperous period, who lived during the Norman domination domine year 1020, to witness this, return to the cult Ugento Latin manifesto with the re-established a bishopric and later in 1642 for the Earl Vaaz De Andrada we are witnessing the reconstruction of the new Castle set up a national architectural lines squat and austere. In the heart of the historic center and among the bustling suburbs of the country is divided, as above, a number of important historical and cultural hubs to retrace and understand, almost chronologically, the slow and varied historiographical evolution of the area. Among the numerous ports of time, that bring us in direct contact with history, mention the tomb of Via Salento, the Roman and medieval artisan quarter, the Necropolis, the Crypt of the cross, that of the Church of Our Lady of Constantinople, the Dovecote The parts of the walls messapiche, the Domus urban Castle and Museum of Archaeology and paleontologia.In this paper reported that, near the Roman road network Trajan-Sallentino (trail preferred by medieval pilgrims to the shrine of Leuca) where there is the crypt of the cross, is the small church dedicated to St. Maria of Constantinople dated in the early seventeenth. Currently, the church, structurally incorporated in Colonial Crosses (XVIII century), has a rectangular nave covered with a barrel vault. In the charming interior completely frescoed by the noisy and crowded and numerous figures of saints, is heard from the bottom center of the wall, a hiss of composure from the lips of the Virgin sitting heavily on the throne of Constantinople (1619), at a stroke, that mutes the sound thin authoritarian divine voices. The rest of the painting program, located below the Virgin, depicting the burning of a building, through the intercession of the said title was miraculously saved. Before concluding, we recall that the premises of the old Colonial Crucifixes, keep a realistic cast of a young skeleton found during some work. The skeleton of some 23 centuries ago, was found under a pile of stones turned face down with his skull smashed and numerous multiple fractures to the upper and lower limbs, and the macabre discovery curious since that unfortunate corpse was thrown in at no funeral a place far from the usual places of burial.

Giuseppe Arnesano

6 Ft Tall Man Calories

Published in The New Country January 16, 2011

places of Salento / Novoli

On the day of "the great Saint Anthony the Hermit," this Sunday we visit the park located in the City of Novoli social of Negroamaro and forming part, together with other municipalities in the northern province of Valle

of Cupa. Despite the origins of the name are not very reliable, local historians put forward different hypotheses about the derivation semantics and a first interpretation refers to the wording Latin Novulum, Ried (tilth, field left empty) pronounced in the local jargon, and according to official documents use the name of Santa Maria de Novis. one time, according to the sources of local historical Marciano, Santa Maria de Novis was founded by the inhabitants of the neighboring house Porziano who left the original hostile land to settle in what is now the current Novoli. Before you walk the roads of the "beautiful country" to discover the Church of Sant'Antonio Abate, declared magnanimous protector of the community by the then bishop of Lecce Louis Pa ppacoda in 1664, remembers that Novoli is devoted to various holy figures, and to confirm that there are many churches built in between 500 and 600 some of which restored on earlier buildings.

These included the titulus of the church of St. Mary Mother of God , now known as the Immaculate Conception Church and located in the heart of historic Vico Mazzotti, the sacred edifice is proof ancient local architectural heritage, are kept within this two frescoes dating Byzantine age, one depicting the Madonna and Child Enthroned dated to the early fourteenth century, the other hand it retains only a fragment depicting an angel with a female figure with a halo probably attributable to the thirteenth century, this originally titled Hospitality of Abraham is a result of subsequent studies, recognized as a fragment of the representation of the Mother of the Risen was commemorated in the church as the Feast of Mater Dei on Tuesday of Easter, the celebration that corresponds with that of Mother of the Risen of the Byzantine liturgical calendar.

Through the long road that leads from fields in the heart of Salento Novoli, continue on Via San Paolo, where the holy "warrior" gives witness to St. Anthony "Fire" on its way, the original structure of the Church St. Anthony is prior to 1640 while the building currently visible dates from the eighteenth and nineteenth century. The main facade is characterized by an anonymous neoclassical framed by four pilasters with Doric capitals on which it is a powerful drum set at the center of which is set a watch of the thirties of the twentieth century. Once through the entrance by flying bronze, admire the traditional pattern of three naves, where the bottom of the left stands the statue in the niche with papier mache of the saint in whose honor is turned on high "Focara" archaic origins probably dating from the fifteenth century.

Giuseppe Arnesano

Can I Paint Hardware Ona Shower Door

In an intimate Carillon

Published in The New Country January 13, 2011

music from Salento / Interview with Lucia Manca

Dicembrino After the concert live on stage at the Theatre Novoli and the debut of Bari in Puglia Sound, flanked by his balanced Lucia Manca band made up of Michael Russo (guitar), Mauro Ingrosso (bass) and Andrea Rizzo (drums ) , continues to promote her first single: ancient dream, a song from the new album currently in production with the artistic collaboration of Cloud Cult singer-songwriter and guitarist Amor Fou.

Suspended are the sonic dimensions that accommodate the hand of superfine young singer Lucia Manca, suspended between infused with catchy melodies and detailed wrap-around effects and delicate rhythmic openings. How to chime in an intimate, sweet is the music that unfolds when opened the small box, it emerge, supported by a lively writing and melancholy, evocative music that enchants the soul so dreamy dreamer the attentive listener.

fictional story built on thoughts / desires change and chase back and forth between ancient dream and reality, individual, leading to a graceful way to spellbound I fantasize among their memories.

closed casket the spell wears off.

How and how long did you approach music?

Music has always been part of my life, there was a special occasion that prompted me to start, but since childhood has always been a natural and spontaneous, a necessity ... I have entrusted to you, how to make a leap in the dark ... I was abandoned. Growing up I loved her more and more especially when I started writing. It 's wonderful to realize how some of the melodies that come to your head you suggest many images and hence the sequence of words.

What is it about you and what you live in your lyrics?

Many of my songs are odes to love, but sad at the same time warm and joyous, some speak to me of my confused desires, what I love, because each M'innamoro easily thing and I love to observe everything. Many of my lyrics have a fantastic tone and fabulatorio, I write what surrounds me, I create a reality all around me, even giving vent to my imagination.

What are your musical patterns?

I grew up listening to the songwriters of the '60s, Tenco, Lauzi, Bindi, Ciampi, Lazarev ...

'm also related to more current artists and bands such as Beach House , Joanna Newsom, Fleet Foxes, Sufjan Stevens .

How much influence they have on your music?

I think the names mentioned above and also other have contributed in some way to define my artistic profile. Difficult to understand how and how much they influenced me, it's all in a big pot from where it will automatically draw inspiration.

What are your readings?

Like the ancient poetry, especially the sonnets of Shakespeare and Petrarch. French literature 800 poems by Alphonse de Lamartine, Alfred de Vicny and Charles Baudelaire. I also read many novels and stories written for children.

Trai cue from them?

No, or at least not directly.

There are special places where you create your songs?

No, I do not have details of places, I often happen to have some ideas in the car alone, or write anywhere in the house.

Pros and cons of your first album?

I have not a first album, "4 years ago I made a little demo with my first 3 songs. Unlikely to be replayed because of the many things that now I feel very far away. I was 20 and my ideas were far less clear, but despite this, remember not to have had some bad reviews. My first album will be released this year with the artistic production of Cloud Cult.

In old dream, and in the Far Enchantment shows a condition of suffering / neglect, this is referred to a broken love affair or conceals a hidden meaning?

are often seduced by the tragedy of love, old and Incanto Dream express this condition even though in two different contexts of a love affair. Far instead represents my perception of the past that is becoming increasingly blurred over the years.

The figure of the swan and refers to Greek mythology is the nature of the alchemical androgynous body, as in the charm what is the meaning of the figure of the white swan?

Yes I thought about Zeus and Leda, but in this case is a different story, my swan is a woman who tricked a man enchanted by holding it away from the woman he loved.

What do you think of the project Puglia Sound?

Sounds Puglia is a beautiful reality that maybe waiting a long time. I think the music you want to have a more important role also in terms of employment. An engineer, a manager, a musician can be said to have a "real job", not only the worker of big business or the employee of items.

think that this will promote the artists Puglia, or you run the risk of spraying the public funding?

No, I think so far Puglia Sounds has helped the visibility and promotion of various artists of Puglia, this means also feed their economy. I look wasted in all this.

If there are any connivance with political parties and associations of worship, it is easier for an artist stand out?

Yes, certainly it is easier to focus on the target to which it is addressed, at least with the cultural associations.

Do you think it intends to propose at all costs "quality music for so-called gourmets" sometimes does not create the music "fashionable" but no actual value?

Yes, in these cases is easily perceived in doing so forcing with too built.

you think in the diverse musical landscape of Salento what are the new artists?

Pugliese's music scene is very diverse and interesting for several years now. I think there is a character quite exotic. Personally I respect the artists are: Matilde Davoli and Populous (with Girl With The Gun), George Tuma, Tobia Lamare & the Sellers and Ivan Davoli (Gianluca De Rubertis).

What is for you elegance in music and life?

The simplicity of the show as it is.

Giuseppe Arnesano

Why Do They Not Make Reef Stash Sandals Anymore?

"Vincent Van Gogh Country timeless-modern city"

www.bta.it

Vincent Van Gogh

Self

1887

Oil on canvas, 42 x 30 cm

Amsterdam, Van Gogh Museum

"What a pleasure again see the city as much as I love the farmers and the countryside. " "The union of the ends gives me new ideas, details, the campaign as a whole and bustle here. I really needed it. "

These lines, penned by Vincent van Gogh in a letter addressed to his brother Theo in 1886, emphasize that intense feeling nature that has characterized the entire artistic career of the Dutch master.

8th October and until the 6th of February 2011, the halls of the Vittoriano Complex in Rome home, after twenty-two years of absence, the exhibition "Vincent Van Gogh's timeless-Country modern city. " The exhibition curated dall'emerita scholar Cornelia Homburg, the best expert of the Dutch, with the collaboration of an international scientific committee.

On display are over seventy diverse works including paintings and watercolors of the master, in addition, to further enrich the exhibition context and highlight the network of artistic and cultural exchanges between Van Gogh and artists of the "vanguard" in Paris, the organizers have shown about a forty masterpieces belonged to Millet, Pissarro, Cézanne, Gauguin and Seurat from the most important museums of the world and the most valuable private collections, for they add an 'interesting collection of original letters written by Vincent Van Gogh and from numerous private collections.

The exhibition presents an interesting and explanatory vision of the entire corpus of the great painter, the exhibition opens with a selection of early works of the Dutch period, in which we understand visually how Van Gogh worked in the study and reproduction of many recordings of past masters as Delacroix, Daubigny and Millet, from these and other works on canvas, he drew the dark monochrome painting characterized by the presence of poor peasants surrounded by dramatic social influences, in these many natural and poetic expanses, full of "straw-roofed houses (especially abundant in production of Saint-Rémy 1889-1890), the artist represents the concept of unchanging rural harsh reality, as in a continuous dialogue with those timeless paintings depicting the steady progress of the modern city.

The fascinating material expression of Van Gogh, focusing on a few inches of the paint surface is revealed in portraits and landscapes that is generated from an original interpretation "of what the artist wanted the ' observer would see "these seductive figurative constructions are the result not only of the mainstream and ingenious artistic concept, even the great thinker of refined culture, for example in a letter written to his brother Theo is clear that the painting of the Mountains at Saint Remy with dark cottage, was inspired by reading a passage in a novel.

The number of farmers heads on display, made between 1884 and the following year, emphasize the artist's desire to reap the most characteristic features of human physiognomy, these studies are the basis of first large painting with human figures portrayed in the famous painting The Potato Eaters of 1885, as subject of the harsh rural life in which reality is not idealized.

The works exhibited in the subsequent recount conducted coloristic Paris took place between 1886 and 1888, a period in which the study of the Dutch master is marked by renewal and the experiments made by both the influences of the Impressionists such as Pissarro and Cézzanne and both of those post-Impressionists like Gauguin and his contemporaries Seurat, all active nell'eccentrico Montmartre district, during which time the artist will "update" manifesting the clear use of color and expressive brushwork evident in the small pictures taken from minutes of brilliant pigments in other works he turns his interest in portrait of the "modern" described in the pair of portraits from Van Gogh Musem of Amsterdam.

Paris was not easy to live, so in 1888 the bizarre Vincent abandons forever the "Cabin Fever" the French capital to embark on a journey traveling in southern France to discover the much sought after peace of the province, the ' artist lived the last trips of his life between the town of Arles (1888-1889) and Saint-Remy (1889-1890) until, in a fit of delirium, he committed suicide in the village of Auvers-sur Oise in July 1890 .

At that time, the painter is inspired by the landscape and light of the south, he painted numerous fruit trees and wheat fields, designed and portrayed what was his world, made of cypress and olive trees, vibrant and sometimes winding, constructed quickly with vivid strokes simulating the idea of \u200b\u200bmovement. At the same time combined with fairly typical images of the modern city and rural life giving a sense of continuum continue to eternity.

In Sower the Hammer Museum in Los Angeles and the reinterpretation of the painting by Daumier The four ages of man we understand how the human figure is the balance between the past, represented by the campaign and the flowering trees in the background, and the future outlined in the smoke of the chimneys.

The complete vision of the itinerary exhibition dedicated to balance and coloristic pictorial conception of the great Dutch master, gives more comprehensive and empathy in the verses addressed to his brother Theo, clear and explicit philosophical thought the exhibition, in conclusion we can say: "We had really needed."

Giuseppe Arnesano

Cell Model With Sweets

Beautiful "mendolina"

Published in The New Country January 9, 2011

The much-desired new year has arrived at last from this Sunday the excess holiday stress decreases gradually and over to lighten the workload supported by our psycho-physical state, we seek a way to get away from hectic everyday life slipping through the most attractive places of our territory. This first event of the year starts with one of the "most beautiful villages in Italy" or Mirror.

View of Piazza del Popolo in Specchia

The town of Specchia is immersed in a thicket of trees enclosed in a boundless frame walls to dry on the slopes of those mountains called Serra and Serra Magnone Cianci, since Norman times and later in the feudal, the small village boasted a very strategic geographic position, thanks in part to their remoteness from the sea that the elevated hillside location .

entering the country note that the coat of arms, carved in soft limestone that serves as a keystone in the portal of the castle town located in Piazza del Popolo, an almond tree is growing on a pile of stones, but if we temporarily by "the defendant iconographic image" , we find that the tangled underbrush of speculation about the meaning of the name is really rough. Comments are nearly unanimous in considering that local historians, the "sight glasses or mirrors are conical mounds stony primitive outposts that served as a lookout or defense as tombs of ancient heroes who died in battle."

Other scholars debating the latter case, since during the removal of some of them (the mirror of Santa Teresa and Alpignano) has not found any match and still others date the construction of the mirror to the Bronze Age to the Neolithic and, during the Middle Ages, however, the village is identified in the Latin name of Specla de Amygdalis , Specchia Mendolina changed since then in the area there were many almond trees, and these are linked to the mythical figure of the Roman matron Lucretia Amendolara which, according tradition, built and expanded the nucleus of the old farmhouse, while the number of documents n eighteenth century, the mirror is identified as "Specla Presbiterorum.

The historian Antonio Penna tells the pleasant city center by: "the simple and compound Catalan or Baroque portals, frames of local stone, the inscriptions in Italian or Latin, the corbels of the balconies overhanging on the streets, the bulging wrought iron, the arches, which still adorn the facades of the once noble houses, friezes, statues, columns, shrines with sacred images worn away by time ", but at the same time, The village has both a sacred character, evidenced by the presence of many churches dedicated to Mary, the chapel dedicated St. Nicholas the patron saint of the country and the edification of those of moderate greek rite, which has a modern character and at the forefront of tourism, emphasized by the comfortable Hotel located between Broad-charming and enchanting courtyard houses of Old Town. In the heart of the circular perimeter of the old town, makes a fine show him the sixteenth century castle Protonobilissimo Risolo characterized by a massive rusticated portal instead located in a position opposite the Castle is the seventeenth-century Mother Church and alongside it, stands the "contemporary" bell tower built in 1945 to replace the century bell tower.

Church of St. Euphemia

Before concluding this Sunday on a trip, walk about a mile further away from downtown and in the direction of the old farmhouse we admire a fat Another architectural treasure of Byzantine art in Salento. The Church of St. Euphemia, after two centuries of neglect, and enchanting after the necessary repairs completed in 1981. The sacred building, built according to the canons of the Byzantine tradition, is oriented to the east or in the direction of sunrise (Christological symbol), in honor of those observing Jewish traditions prayer with their faces towards the East.

After standing for the worship of sacred images, which was approved during the Roman Synod of Pope Gregory III and the subsequent victory of Charles the Bald of France against the Moors in the ancient Veretum (Patù ) is dated between 875 el'877 the probable construction of the church of St. Euphemia, contrary to numerous Byzantine crypts built underground to avoid persecution iconoclast, dominates the countryside unopposed.

Giuseppe Arnesano

Valeema Wedding Wording

Chagall. The world upside

The text below is taken from the site of the exhibition

May For info: www.arapacis.it

22 December 2010 - March 27, 2011

Chagall. The world upside

Type: Documentary

The exhibition aims to illustrate, through a selection of 140 paintings and drawings made between 1917 and 1982, from prestigious public and private collections, his extraordinary and highly personal representation of the world, a world "upside down", in which Chagall sets in motion a reversal of order classic, challenging in his works the laws of gravity and creating a strong affinity with the pictorial universe proposed by the Surrealists.
"A man walking needs to be reflected in his fellow man instead to emphasize his movement" as "a vertical vessel in there, it must fall to prove his stability." Is this the world "upside down" imagined by Marc Chagall (1887 - 1985), told in an exceptional exhibition of twenty-five years after his death .

The world upside down "arrives at the Ara Pacis Museum. On display 140 works including paintings and drawings, some of them unpublished, proveneienti from private collections, the Musée National d'Art Moderne Centre Georges Pompidou and the Musée national Marc Chagall in Nice.
There are many possible approaches to the work of Chagall: the relationship with the avant-garde movements to which it is approached in the course of his life, but which has since always been noted for originality; issues related to its Russian origins and Jewish and its spiritual content, its ability to use mixed techniques to overcome the boundaries between painting and graphics.
This show has chosen to investigate the similarities that the artist shared with the Surrealists - even their followers of the "revolution" and the subversion of established values \u200b\u200b- and the strong bond with his religious identity.
observing the works of Chagall we can perceive the distinguishing feature of the artist's universe: the characters, animals, objects that live in complex landscapes often defy the law of gravity. The world that portrays Chagall is in the true sense of the word, a world "upside down" in which "the time has not the banks' , to quote the title of a painting of the thirties, in which engaged couples, newlyweds, rabbis, musicians, clocks, carts, donkeys, roosters, and the painter himself - who is portrayed many times in his paintings - for daring stunts as you leave the circus, another person The artist depicts so happy.
This inverted world is undoubtedly the result of a vision that has formed around multiple axes. One of these is the Jewish religion, with its founding narratives in which the initial chaos, the exodus of the crowd wandering and other famous episodes seem to anticipate the upheavals of recent history, its thin and its diasporas. The October revolution which Chagall took part is the second. The images that the artist creates return to the term "revolution" and "flip" their full physical sense. cultural factors and artistic are a third source. Chagall's work fits easily between the traditional Russian folk prints ( Lübke ) and images derived from Surrealism, thereby demonstrating that you have received so much as it is innovative.
observe the works of Chagall leads us to identify the distinctive features of the universe depicted . Every single part, populated by characters from another era that inhabit unlikely spaces, transformed from animals that are difficult to identify the species, dominated by buildings that house collections depicting everyday scenes of many magical performances, can contemplate a world in which the reversal order constituted may arise from such disasters and tragic upheavals as the charm and pleasure. Every single painting by Chagall
contains episodes in which humans, animals and even objects have been moved, moved, placed in a place "other." Their image has been released from any type of contingent reality and from every point of anchorage, so as to be easier for the viewer drifting into a world "upside down" .

Editor / s

Fréchuret Director Maurice national museum of twentieth century of the Alpes-Maritimes and Elisabeth Pacoud Reme-manager of collections at the Musée National Marc Chagall

Catalog

Silvana Editoriale

for more

Chagall. The world upside down - free educational visits to kindergarten to universities

Rome City Christmas 2010 , 20/12/2010 - 09/01/2011

Press Kit

info

Hours Tuesday to Sunday from 9 to 19 - allowed to enter at 18 - the ticket office closes one hour before
24 and December 31 9:00 to 14:00 (Entrance till 13.00)
Closed Monday, December 25, January 1

Admission

€ 11.00 whole - € 9.00 reduced
for residents living in the Municipality of Rome (by producing a valid document attesting to the residence) entire € 10.00 - € 8.00 reduced
The ticket can be purchased with credit cards and debit cards
Reduced entrance with the parking ticket to Villa Borghese

The ticket office closes one hour before the admission to the museum in ordinary time (09:00-19:00) neither understand nor permit the entry of extraordinary evening for the event The colors of the Ara Pacis for which we must obtain a new ticket

Tickets and

Information

060608 (every day from 9.00 to 21.00) More information

Government and proponents of an exhibition Rome Capital Department of Cultural Affairs and Communication, Superintendent of Cultural Heritage, République Française, Musée national Marc Chagall in Nice, Zètema
Culture Project Sponsor System Museums: Banks Treasurer of the City of Rome (BNL-BNP Paribas, Unicredit Banca Rome, Monte dei Paschi di Siena), Lotto Lottomatica, Atac, Vodafone

Organization

support organization and museum services: Zètema Culture Project

With the collaboration of security services: Travis

With the technical assistance of

La Repubblica, Sound Dimension Two