Published in The New Country Tuesday, March 1, 2011
Theatre: interview actress Federica Vincenti /
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| Federica Vincenti and in a scene from Moni Ovadia Shylok |
Tonight, the stage of the Theatre of Filograna Casarano, in the theatrical exhibition "We think in prose " organized by the municipality, will stage the play "Shylock - The Merchant of Venice in trial He went and re-written by Roberto Moni Ovadia, produced by New Stage, Arena del Sole in Bologna, and Teatro Stabile. In the role of Shylock, an interpreter Exception: Shel Shapiro. On stage, the actress home Salento, Federica Vincenti who plays the beautiful, rich and courted heiress of Belmont ... a mysterious transformation ..
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| A portrait of Federica Vincenti |
"I consider the world as it is, a stage on which everyone reads their part '. This joke is played in the first scene of Act I of the sixteenth century play "The Merchant of Venice" written by the great bard William Shakespeare ... At the other end of the phone's Federica Vincenti. And determined young stage actress, who in "The Merchant" plays the beautiful Portia. The winner has already starred in "The Great Dream "and lately we find it again on the big screen, starring Kim Rossi Stuart in the film directed by Michele Placido" Vallanzasca. The angels of evil. " Federica told us, with simplicity and vivacity of its territory and strongly linked to the world of work and family lived . actress all on the rise, we will soon see that the RAI networks, but with the mind and spirit for that time amarcord loads of "black and white" Gone nostalgically still fascinate us .
How did your passion for the magical world of entertainment?
My passion comes from the hand doing piano bar between thirteen and fourteen years by then Manfredi watching on TV that talked of the National Academy of Dramatic Art, I was enchanted by his words , in the end I wanted to experiment attempting the climb. At eighteen I moved to Rome and after graduating from the academy began my theatrical journey.
The reinterpretation of the show " Shylock in The Merchant of Venice-proof" performers Portia, what has excited you the character?
My character has an important and central role, because around this female figure, seen both as a reference point for the people as a "source of money," consolidates the ' affirmation of women. I think the story of this character can be likened to a woman today than before he took the risk to make a calendar and later became minister of a character due to life every day. Re-reading the final part we understand the importance of this woman, because she will "make ends meet" by confiscating all property of the character jew.
Describe the shape of the jew in the internal character of the show?
E 'a key figure in the entertainment system, especially because it helps to understand the figure of modern man. A central passage of the representation is that of the Jew Shylock monologue: " not a jew's eyes? not a jew hands, organs, limbs, senses, emotions, passions, etc. .. "in this passage is clear that idea of \u200b\u200bequality between Jews and Christians. Both in this text, as in all other texts Shakespeare, we analyze the figure in full, the step can be discounted, we think that that the figure of the Jew for us to be that of a Gypsy. They really are just like us. It is we who decide to look differently .
What did you like four hands of the rewrite of the authors Roberto Moni Ovadia and went?
The original text has within it many nuances, while in re-reading of The Merchant of Venice went and re-written by Ovadia tells today's man for whom everything revolves mainly around money .
What are the difficulties that can meet a young stage actress?
The difficulties are many, certainly in the end depends on the type of work you want to do. For example, I believe that if a girl wanted to make a showgirl or tissue likely would be in "indecent requests. To me the situations are different and highly dependent on personal choice. I decided to do a job like many others, but inside it houses the sacred fire of art; pure art in the truest sense of the word; in my case, as actress, my choices were weighted and driven by quality, but above all on what was my path to the Academy. For example my collaboration with Piovani came because I chose certain occasions. Even if you find yourself in "certain" environments, the important thing is not to be attempted, or if you fall into temptation and then you can not complain if you put a hand on him . L choice for an actress change .. now there are a lot of actresses and the word is used constantly complaining, I feel an artist more than an actress.
you think the theater still has the great responsibility to tell the truth and the life?
S the way, I think that today with a show of prose you can tell, and rediscover the meaning of things and life. Shakespeare example is an obvious example, in almost all his works, he represented the human nature. In Hamlet, for example the feeling of envy prevails, these readings often find themselves in tragic daily events and this suggests that the human being over the centuries has not changed. I think as far as something may seem, however, tells our life. Despite the contemporary events may be more fully understood, I think the classic dramatic texts represent us more, because in them is discussed everything, that is that great combination of past and present masterfully analyzed and then represented by so-called classical authors .
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| In the film Vallanzasca |
As was to interpret the woman "boss Comasina" Giuliana Brusa in the movie "Vallanzasca?
Giuliana is a slightly 'complicated is the story of a woman who falls in love Vallanzasca indirectly, by knowing the first video and then through a series of letters in this report I saw something romantic and I was glad to represent Giuliana, then alongside Kim Rossi Stuart I girder very well, it was a great experience .
Michele Placido as a director?
to say, when I head is not very nice, in the sense that if you have something to tell me "I said all the colors." It is a great director this is no doubt it is one that lives on the scene when the script is also expanding, from this point of view, Michael is very "belly" is to direct an actor in a scene .
What is the character that fascinated you most?
The character that fascinated me most was when I played Micol Finzi Contini in Ferrara taken from a novel by rewriting Tullio Kezich , I can not forget the beautiful and historic interpretation of previous Dominique Sanda, directed by Vittorio De Sica, I was honored to reinterpret that character in the theater .
Which character would you like to play?
I would very much like "The Threepenny Opera" by Bertolt Brecht and I think that for an actress to play Ophelia or theater Lady Macbeth is the realization of a dream, but beyond this the important thing is to make this work with will and truly love him. In that moment you are single and go in search of your size or amine. In the end there I have no fixed rule on it on certain characters directors are ready for anything, but not to be a "tissue" - laughter -. Then at the end of the tissue, with a lot of patience, they are able to occupy all roles, including a bit 'to any of them will play Lady Macbeth-laugh- .
In 2010 you received the prize as the revelation of Persephone Actress / singer of the year for the show "My Italy", directed by Vincenzo Cerami and music by Nicola Piovani, tell us how did it go?
Collaboration with Piovani and Cerami was very important, besides the fact that I girder well with them. It was a 'new experience, different from the rehearsal. A particular episode was the Auditorium della Musica in Rome after the show when I met Benigni, on that occasion he was making me very nice compliments on the exhibition and especially the singing. The show "My Italy" has also become a DVD produced by the Rai .
You have studied voice, what kind of music and what usually hum?
I have a passion for classical music and for that slight. Listening is the Lucia di Lammermoor that Mina, I also love musicals like Cat, Les Miserables, Phantom of the Opera. I state that all kinds of music make me excited, but I do not feel particularly drawn to rock, rap el'house. To name some songs that feel very close to me are " The Way We Were" soundtrack from the movie "The Way We Were" with Barbara Streisand; studying this and other songs of Streisand later I found myself singing them, and these are the songs that have influenced me over the years. I even found myself singing, as in the spectacle of Ovadia, an air of the sixteenth century Dolland, not with the voice of classical t esta, but let's say by creating a union between the voice of the head and chest, and I think that the my "voice" is a bit 'tainted by classic.
It 'unfortunate that today we do not listen to the songs more than once that represent our history, such as that of " Moon River" in " Breakfast at Tiffany's." And I wonder why in Rai music during the shows they put forward that do not belong?, Perhaps because today you look for the originality and transgression in things, and sometimes this transgression and originality does not convey the right emotions, I would say it would be better back a bit 'in the past .
If you were invited to sing on stage the night of Taranta in ?
For about five years six mother of Gabriel, what has your life changed and how you live "between stage and reality?
life totally changes, you must try to balance it all, first you have to give him the right to peace and must seek other not to lose sight of the work. I realize that leaving my son with my mother in Lecce's not easy, but who does this work, especially in the theater, it is necessary and I believe that in this way their children grow better, then every time I'm with him and do the best the quality is high .
How does it feel to live alongside a great artist?
For many years, we compensate each other and he is someone special and generous sa lot to listen to others, loves his family and a person of great humility, he gives me value and is not a very flawed man is he who strives, and when I'm not at home. In these years has taught me so much, they are also improved thanks to him and what I am I owe to him. Its rhythm and its culture have influenced my choices theater, then after so many years living with a person learns to know it better or .
plans for the future?
now finished this show April 6 at the beginning of a fiction Rai entitled "Black Wolf" with Francesco Pannofino. say that after many years of theater this is the first TV commitment and are pleased to make this new experience .
The last movie you saw?
The last movie I saw was "Closer" and " Inglourious Basterds "by Tarantino, and then I took the fantastic film by Mel Brooks as" To Be or Not to Be, "" Young Frankenstein "and are literally crazy.
What are your readings?
Recently my readings are those of the writer Eric-Emmanuel Schmitt, such as or " Small marital crimes," "Children of Noah" and then, recently I read "Through the Looking Glass" a novel written by a journalist with the Corriere della Sera, Emilia Costantini.
Who are your teachers in life?
In Academy I Lorenzo had Salveti and others, but I think that eventually the true masters are those that you know in life, Piovani, Ovadia for me in these years have been a bit like a reference point and then above my companion and teacher .
Salento What do you think?
I am so proud of my country, and every time I speak, I say "how beautiful Lecce" and this excites me so much. In Lecce, as in other cities of the Salento, there is a good move then Casarano for example, this year the theater Filograna have made a good theater program. I'm really satisfied .
Giuseppe Arnesano
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